A.), The One Who Comes After Me: John the Baptist, Christian Time, and Symbolic Musical Techniques, pp.639-708, Volume 66, No.3, 2013 – ANGELL (R. C.), Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956, pp.105-140, Volume 53, No.1, 2000 – BEBBINGTON (W. D.), “That Bright New Light”: Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901-1910, pp.69-138, Volume 58, No.1, 2005 – BENT (M.), New and Little-Known Fragments of English Medieval Polyphony, pp.137-156, Volume XXI, No.2, 1968 , by Matthew Head, pp.656-663, Volume 57, No.3, 2004 – BICK (S.), In the Tradition of Dissent: Music at The New School for Social Research, 1926-33, pp.129-290, Volume 66, No.1, 2013 – BINKERD (G. J.), Josquin’s Chansons: Ignored and Lost Sources, pp.30-76, Volume XXIX, No.1, 1976 , by Cynthia Verba, pp.229-232, Volume 68, No.1, 2015 – BLOXAM (M.
To help you find more potential matches and members near you, your profile will be also be displayed on other general chat sites that are part of the Online Connections chat network at no additional charge.